Tuesday, February 13, 2007

Farmall Calendar 2008 Update


Here's the cover for the Farmall Calendar 2008. It should be available for pre-orders on Amazon in the next month or two.

Thanks to all the owners for their time (and the cookies and food!), and to editors Amy Glaser and Leah Noel at MBI Publishing for putting it all together.

The list of tractors that made the calendar are listed below, along with the owners:

Farmall Calendar 2008
Final Selects and Owners

Cover
1953 Model H
Albin Sterry
Scrum, Wisconsin

January
1964 International 2806
Sylvester Hohlfield
Chaseburg, Wisconsin

February
2007 Case IH (Steiger) STX 380
Bahl’s Motor & Implement
Hastings, Minnesota

March
1969 International 1256
Sylvester Hohlfield

April
1933 F-12
Jack Bailey
Surrey, British Columbia

May
1972 International 1468
Kevin “Swede” Hanvold
Osseo, Wisconsin

June
1953 Farmall H
Albin Sterry
Scrum, Wisconsin

July
1928 McCormick-Deering 10-20
Scott Anderson
Cadott, Wisconsin

August
1964 International Cub
Bob Bennett

September
1961 International 340 Diesel
Bob Bennett
Poulsbo, Washington

October
1948 Farmall M
Bob Bennett

November (sunrise photo)
1953 Farmall H

December
1960 International 560 Diesel
Richard Kadelbach
Hutchinson, Minnesota

Friday, February 02, 2007

The Waiting Game

Part of this gig that will probably always drive me crazy is waiting. I'm not an inherently patient man. In fact, I'm not patient at all.

So I have several great projects out as proposals for magazine and book projects, and I'm waiting on all of them. If a couple of them come through, well, I can settle a bit and know what I'm doing for the year, but I'm kind of hanging until then. Sri Lanka or Texas . . . who knows? I think they will go through---all are viable projects that should make good reads. Still, I'd like answers shortly. Sigh--that's not how this business works. I've been on the other side of the desk long enough now to be aware of that!

The other part that is odd about my new gig is editing. Odd in the sense that it sort of takes some wind out of my sails--I'm suposed to be doing this new thing, but I still need to do some editing to pay the bills. It's not that I don't enjoy the projects, I'm just excited to tackle new magazine markets and see how far I can take this thing.

That aside, it is good to be able to focus exclusively on the projects on my desk. Both of the projects I worked on were terrific books. One is The 200-mph Billboard by Mark Yost. Mark is a WSJ contributor and former Speed Sport News writer who has carved out a niche for himself as a sports business writer. He's a good reporter, and a good writer, and the book is engaging, informative, and welll-constructed--a real pleasure to work with. One of the best parts is Mark is a neighbor and a friend, and being able to talk through things over a meal is a big help to the process. Plus Mark is an interesting guy, so it's all good. I can see the advantages of working in New York or even L.A.--it's rare that I get to work with authors who live in my neck of the woods.

The other is Top Dead Center, a compilation of articles from one of my favorite writers, Kevin Cameron. He's been writing for Cycle (and later Cycle Word) magazine since 1973, and was a well-respected privateer tuner before becoming a writer. I like his stuff, but had honestly forgotten how good he is. His profiles of racers and builders are insightful and a joy to read. He understands the racing mind in a way very few do, and is a great observer of people. The hardest part of the task has been trying to select 30-40 pieces out of the hundreds of great things he's written.

The week wasn't all editing, of course. I found some time to book my next ATV club ride down in Ocala, Florida. I discovered a group that volunteers to patrol the national forest, and the same crew is working hard to create an entirely new system as well as doing state-wide training. I think that will be a worthwhile story, and am also looking forward to taking photographs without freezing my fingers!

I have a bit more editing this week, but the big crush is past and I'll have time to focus on putting together queries and doing some background for a couple of story ideas.

So if I do my job, those queries will go out to magazine editors, and I can wait some more. I guess that's just part of this game, huh? ;-)

Thursday, January 18, 2007

Road Ramblings


So I spent the day on the road yesterday. Drove down to a farm just south of La Crosse, Wisconsin to photograph a tractor for the 2008 Farmall Calendar (you'll be able to pre-order this at Amazon.com in a few months--watch this space for a note).

Nice to be out shooting, and nice to be on the road. Some observations from the day.

The built-in navigation system on my Garmin GPS V sucks. I used Mapquest to lay out the route, and the Garmin wanted me to go east on 94. I didn’t. Mapquest (and my contact from La Crosse) told me the way to go was down 52 to 90. The funny part was once I passed 94, the Garmin didn’t recalculate for an hour or so and told me I had 485 miles to go when the actual mileage was 175 or so. Stupid thing.

I like open spaces. I don’t particularly care for the flat, open section of southern Minnesota around Rochester. It has this sort of run-down, mullet and Quiet Riot feel that I don’t care for, but I do like seeing big expanses of sky. There’s something liberating about driving down a nearly flat road with nothing but sky and road in your plane of view. Clears the mind.

A couple of notes from the shoot (despite having done this for a while, I'm still learning ;-) ).

Bring a gazetteer along. Being able to pinpoint precise locations, beyond what you can do with a state map or a slightly whacked GPS unit, would have helped me find my destination (which was off the built-in grid on the GPS and off the Mapquest map).

The winter light is harsh and unusable mid-day, but warms up nicely about 2:30 p.m. and is nice and bright until about 4:30. The saturated light from 4:30 to 5:30 was nice but changed colors enough to be distracting.

Always bring my doubler. I could have used more lens for a shot. I had one of the machiines up high on the hill, and could squeeze a bit of cornfield, the tractor, and the blue sky into the shot. I shot it with my 200 and got it reasonably compressed, but it wasn’t as clean as what I had in mind. A 400 would have been perfect.

I’m concerned about the cheap-ish Manfrotto ballhead ($60) I bought. It just didn’t feel terribly stable. I may have to drop some money on a high-end ballhead down the road. The images confirm my suspicions about the unit's stability--some of the longer shots are not sharp. I shot them using the 2-second timer on the Canon and had the ballhead clamped down, so there's not much more I can do with the tripod. I wonder if I can find a good ballhead used?

I need to make sure that second battery for the 1DS arrives shortly. The battery died several times, as the cold shut it down. I put it in my pocket and warmed it up, which bought me another 10 minutes of time before it died again, but it wasn’t really that cold—the thermometer in my Audi read 24 degrees when I drove up. On a colder day, I would have been struggling with only one batttery.

I stayed relatively warm, by the way. I wore wool long johns under light pants and a heavy snowmobiling jacket. My hands got cold—I would have liked some chemical hand warmers in the my pockets, and a better pair of gloves. I used motocross gloves, which were too thick to allow me to use the small buttons on the back of the camera, and not all that warm. I think some thin poly gloves would be a good addition.

After waxing nostalgic about driving Sam’s pickup last week, I have to say, I really enjoy being on the road in the Audi. The car feels tight and is comfortable, reasonably powerful, and smooth. It’s an effective tool, plus the stereo is good.

Lastly, under the category of what six hours in the car with a CD player does to you, I've come to these conclusions: Jack White is a genius, The Pixies live up to the hype, and I want to hear more of the Dresden Dolls--those vocals are amazing.

Over and out, L